Conducting Business

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127 - Should Audiences be 'Allowed' to Clap Whenever They Want?

The latest articles from Conducting Business

127 - Should Audiences be 'Allowed' to Clap Whenever They Want?

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The latest articles from Conducting Business

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Conducting Business

エピソード

Should Audiences be 'Allowed' to Clap Whenever They Want?

How Crowdfunding is Connecting Classical Musicians with Cash

Variations on a Theme of Protest: Where are the Great Political Pieces?

You Paid How Much for That Ticket?

Judging Music by the Rules of Sport: Can Competitions Identify New Talent?

Freelance Musicians See Jobs Dwindle. Will Audiences Notice?

Attraction or Annoyance? Orchestras Invite Audiences to Use Their Smartphones

A Composer is Accused of 'Theft.' But Did Originality Ever Really Exist?

An Uncertain Song for New York's Cabaret Scene

Why Old, Expensive Violins Are Not Always Best

Hitting the Right Note in China: The Arts and Censorship

Evancho Raises Stark Questions about Child Stars and Their Parents

Puccini with Popcorn: Arts Organizations Battle for the Big Screen

Voices From On High: Countertenors to Coldplay

Wagner's Ring of Anti-Semitism: Can the Artist Be Separated From His Art?

Occupy the Concert Hall? How Arts Donations Ignore Poor, Ethnically Diverse

For Conductors, Is Tyranny a Thing of the Past?

What's a Performing Arts Executive Worth?

Artists' Concert Attire: Can Sexy Be Serious Too?

The Death of Borders and the Future of Classical Retail

Rating City Opera's Plan For Survival

The State of Pops Concerts: Where Light Meets Lite

New York City Opera: Where Does It Go From Here?

American Orchestras Face the Music

Confronting the System

Black Classical Musicians Rewriting the Odds

Ten Greatest Composers: Beyond the Usual Suspects

Arias in the Arena: Are Sporting Events Good for Opera?

Met's <em>Klinghoffer</em> Cancellation Reignites Old Debates

When Art and Sensitivity Clash: The 'Klinghoffer' Broadcast Cancellation

Behind Richard Strauss's Murky Relationship with the Nazis

Can Cleveland Really Attract the Country's Youngest Orchestra Audience?

Orchestras Move at Adagio Pace in Hiring Black and Latino Musicians

What's Gone Wrong with Encores?

Orchestras Issue Their Own Recordings: Vanity or Good P.R.?

Colorado Symphony Sparks Up a Concert Series for Marijuana Users

Ivory Ban Good for Elephants, a Headache for Musicians

As Record Store Day Returns, Where Can Classical Buyers Shop?

Are American Orchestras ‘Blatantly Ignoring’ American Music?

San Diego Opera Crisis Underscores Need for Fresh Business Models

Soprano Sharleen Joynt on Resuming an Opera Career After Reality TV's 'The Bachelor'

In a Rough Job Market, More Conservatories Stress Business Skills

Can Gustavo Dudamel and El Sistema Navigate Venezuela's Upheaval?

With NYC School Reforms, a Plan for Arts Programs?

Vienna Philharmonic: Facing its Nazi Past But Struggling with Diversity

'Japan's Beethoven': Understanding the Ghost Composer Scandal

Russia's Classical Stars Expected at Sochi Olympics Opening Ceremony

Classical Commercials: Can Gounod Sell Shampoo? Actually, Yes.

Rebounding Minnesota Orchestra is 'Still Mad at Itself'

The Puzzling Revival of the Vinyl LP

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